The Nightingale writer/director Jennifer Kent on ideas that demand to be told and distribution for independent cinema.

Director Jessica Hobbs on how the Australian television industry prepared her for working on hit Netflix series The Crown.

ARIA and AACTA Award-winner Jessica Mauboy on season 2 of The Secret Daughter, why she loves working in TV and how it’s different to film.

In an increasingly crowded marketplace Picnic at Hanging Rock producer Jo Porter is looking for ideas that are bold enough to cut through.

Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.

How director Jonathan Teplitzky’s love of photography led him into cinema and creating the likes of Churchill, The Railway Man and Gettin’ Square.

The Handmaid’s Tale Emmy-nominated director Kate Dennis on how carving out a career in Australia gave her an edge in the States.

Behind the counters of ubiquitous Australian kebab shops, a treasure trove of drama and heart was just waiting to be discovered for SBS doco Kebab Kings.

Every day across the country people are making life-changing decisions. We talk to executive producer Karen Dewey about Keeping Australia Alive.

After a year of scooping up all available awards, Purcell is turning her play into a film, TV series and a novel.

Little J & Big Cuz designer/director Tony Thorne on creating something he never had growing up – a contemporary animated children’s show starring young Indigenous characters.

The landscape has a starring role in Foxtel’s new drama series The Kettering Incident. Shot entirely in southern Tasmania, the eight part series is described by producers as a mystery with otherworldly tones which fits right in with the Modern Gothic genre associated with the island’s haunting beauty. Early glimpses of the show suggest it has a look similar to the empty majestic landscapes that were such a strong element in Top of the Lake.