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From working with Netflix to tips for building an audience on YouTube, Aunty Donna director Max Miller talks through the rise of the Australian sketch comedy group.
Takeaways and advice from Doctor Doctor and The Unlisted director Lucy Gaffy as she reflects on her career so far.
Kitty Green on crafting fiction from fact and directing The Royal Hotel.
Kate McCartney and Kate McLennan discuss making a Tasmanian-based comedy crime series for Prime Video.
Ra Chapman and Katherine Fry share the journey from development to production of new ABC comedy series White Fever.
Kacie Anning on her career, advice, and the process of pitching, developing and shooting the high-concept comedy Class of ‘07 with Prime Video Australia.
From the The Matrix to 1980s Australia, Gypsy Taylor discusses the art and craft of costuming and the design inspiration behind her most recent projects including Our Flag Means Death, The Way We Wore, and soon The Newsreader.
Max Jahufer speaks to the importance of transgender visibility both in front of and behind the camera, the role of community consultants in the industry, and his experiences on the upcoming Australian feature film A Savage Christmas.
Australian cinematographer Ari Wegner ACS discusses the making of The Power of the Dog, from working with Jane Campion to the New Zealand shoot.
Director Cian O’Clery on his unconventional path to documentary through to co-creating Love on the Spectrum – an original Australian concept that’s being watched across the globe.
AFTRS alumni award-winning filmmaker Warwick Thornton and production designer Bethany Ryan, alongside AFTRS Council Chair Debra Richards, reflect on 50 years of formal screen education in Australia.
Cannes Critics’ Week Head of the Film Department Rémi Bigot speaks to the opportunities and process behind the illustrious program, and Screen Australia’s Manager, Festivals and Industry Partnerships Dale Fairbairn shares her advice for applying to festivals.