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Director Taika Waititi on the moments in Thor: Ragnarok created just for Kiwis and Aussies, and why it was important to have Indigenous attachments on set.
Australian company Gyde wants to help the Australian industry combat piracy and connect audiences with film & TV through their patented technology.
Some of the biggest challenges of the review acutely apply to children’s content including out-of-date regulation, market failure and commerce vs culture.
The Federal Government is examining how to ensure audiences get to see local content and has called for submissions. Be afraid; be very afraid.
It’s only fair that Australian content rules are applied more evenly to more platforms; what happens to quotas is the big question.
Many want the Government to stop cutting Screen Australia funding but few ask what might happen if more money goes to production via other means.
Co-production treaties, low wages, poor mental health, inadequate training, foreign workers and intellectual property are all raised in submissions.
Screen Australia Board Members Megan Brownlow and Joanna Werner will participate in the first session at the ACMA Australian Content Conversation conference.
RED DOG: True Blue director Kriv Stenders hopes Australian kids continue to embrace locally made films and television – but not because they have to. Because they are just that good.