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Hear from Australian TV screenwriters at the top of their game including Sarah Lambert, Stephen McGregor, Mithila Gupta, Elise McCredie and more.
Of the 17 podcast episodes released in 2019 by Screen Australia, here are just a few of the highlights from recent guests.
Producers John and Dan Edwards on Les Norton and keeping up with the changes in Australian TV.
Screen Australia has updated its guidelines for Drama and Children’s Programs to make clear when the agency will consider investing in second seasons for television.
Niki Aken breaks down the different roles for Aussie TV screenwriters, and shares her experience of co-writing The Hunting for SBS.
The data reveals which dramas – that Screen Australia invested in – attracted the most returns to investors and which companies bought up big.
The Kettering Incident led the pack, but Miss Fisher’s Murder Mysteries was snapping at its heels.
Series one of Mako Mermaids is a big hit abroad – and not just in the children’s drama space. The financial data proves it.
Acorn Media, AMC/Sundance, BBC Television, Netflix and Universal Kids were key buyers of Australian drama in 2017.
Producer Jonathan M Shiff explains why Mako Mermaids is a standout success internationally – and why the local production environment for children’s television has badly deteriorated.
Screen Producers Australia CEO Matthew Deaner discusses the opportunities and challenges for Australian producers in 2018.