Screen Australia is an investor in many of the Australian feature films that find their way into cinemas. The agency requires a sales agent – among other things – to be attached to each film so it has the best chance of being pushed out onto the world stage.

Film producers are always knocking on Screen Australia’s door because there’s money behind it.

Toby Wallace says it’s important for young Aussies to see themselves reflected, whether it’s in films like Boys in the Trees or TV shows like Puberty Blues.

Sales agents give the low-down on what they want, the reasoning behind some of their recent Australian acquisitions, and more.

One of the most common questions Screen Australia is asked by everyone from the general public to politicians is: how is the screen industry doing?

Joe Cinque’s Consolation director, co-producer and co-writer Sotiris Dounoukos on adapting Helen Garner’s book for the screen in his native Canberra.

Many doors swung open for writer/director Neil Triffett and producer Lee Matthews as a result of the short film EMO the Musical being selected for the Berlinale and subsequently earning a special mention from the jury.

Screen Australia’s Gender Matters initiative took centre stage at this year’s Toronto International Film Festival at the industry panel Women at the Helm: Because its 2016

Take a look at the latest moves and news about those Aussies taking the world by storm, including Cate Blanchett, Rose Byrne, Animal Logic and Iloura.

Spin Out co-director/writer Tim Ferguson on the next revolution in the screen industry: giving a voice to filmmakers and actors with a disability.

Spin Out is shining a spotlight on regional Australia – and it’s not the only one.