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WildBear Entertainment was prompted to produce Making Tracks by a commissioning editor at German public broadcaster NDR.
Jason Burrows, managing director and executive producer at Jungle, discusses A Moody Christmas’ format sale to CBS in the US and talks surrounding No Activity.
Producer Jonathan M Shiff explains why Mako Mermaids is a standout success internationally – and why the local production environment for children’s television has badly deteriorated.
Tracey Robertson, CEO and executive producer at Hoodlum, on optioning the rights for Secrets & Lies to US television network ABC.
Many want the Government to stop cutting Screen Australia funding but few ask what might happen if more money goes to production via other means.
Every Cloud Productions has made three series of Miss Fisher’s Murder Mysteries, which is represented by all3media International. Fiona Eagger explains the strategic thinking that went into the production.
Securing an advance from an international sales agent against future anticipated rest of world (ROW) sales revenue could be a key factor behind whether enough money can be raised to enable a film to go into production.
The number of people watching film, TV and other content online is growing exponentially. Data shows that 63% of Australians gobbled up stories this way in 2016*.
BBC Two commissioned a bushfires doco, but it never would’ve suited an Aussie audience. Under an unofficial co-pro, two quite distinct docos were made.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
It is early days to discuss sales information on films financed in 2014/15 but here’s how they’re tracking so far.
A case study that deep dives into the representation of women in Australian animation.