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At the heart of First Contact series 2 is a desire to elevate the national conversation on Australia’s First Peoples, says Blackfella Films’ Jacob Hickey.
Co-creators Sonia Whiteman, Renny Wijeyamohan and Karen Radzyner discuss the multi-platform release strategy for their online project, The Disposables.
Foreign films pushed up activity, TV hours have shrunk over time, local film numbers have grown, and there’s a lot of tangled threads.
Director Maya Newell discusses the seven-year journey making the short documentary, The Dreamlife of Georgie Stone.
Aussie actor Liam Hemsworth had been searching for a movie to make back home in Australia when he finally came across The Dressmaker.
Writer, director and leading actress Leah Purcell talks about her deep connection to the Snowy Mountains landscape in making her new feature film The Drover’s Wife The Legend of Molly Johnson.
Editor Nick Meyers discusses his approach to editing Robert Connolly’s mystery feature The Dry.
The key creatives behind All My Friends Are Racist talk about the authorship that ensured a comedy like no other.
Producer Ian Collie looks at how Jack Irish has evolved as Guy Pearce’s private eye shifts from telemovies to his own ABC TV series.
Sales agents give the low-down on what they want, the reasoning behind some of their recent Australian acquisitions, and more.
Director Larissa Behrendt discusses her passion for the documentary medium in communicating positive First Nations stories in the new series, The First Inventors.
Screen Australia CEO Graeme Mason today made a keynote at Screen Forever 2016.