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Screen Australia support seven drama producers to go to Content London 2015.
ABC, SBS and Network Ten hear you, Australia. And similar to the other major networks, their line-up for 2016 features a wealth of home-grown drama and laugh-out-loud comedy.
A brave Australian filmmaker is tackling the issue of domestic violence from a different perspective in new ABC documentary Call Me Dad.
Australians have entered a new and exciting age of television, says the director behind shows including The Beautiful Lie, Gallipoli and Puberty Blues.
Screen Australia and NITV are seeking submissions for a new initiative, Moment in History; a slate of compelling and powerful documentaries to be made in the lead up to the proposed 2017 Referendum on Constitutional Recognition.
Screen Australia has been working behind the scenes with Tropfest.
Jo Porter, Director of Drama at FremantleMedia Australia, talks Wentworth format sales in Germany and The Netherlands.
Berlin and EFM kick off from 11-21 February 2016. Are you interested in attending? Here's some information you need to know.
Randy, the outspoken purple puppet from comedic duo Sammy J and Randy, has made history as the first puppet ever to be nominated for an AACTA award.
Where does the finance for TV drama come from? How do producers put together budgets for individual projects? How has this changed compared to ten years ago?
Screen Australia’s data paints a picture of a typical recent year of production compared with ten years ago.
Last Cab To Darwin cost nearly $4 million to make and it’s expected to attract $8 million in ticket sales from Australia and New Zealand alone. So how come nobody got rich?