×
Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Browse Screen News profiles below and subscribe to our newsletter for a free fortnightly digest.
Director Stevie Cruz-Martin breaks down her collaborative approach to lighting, post-production and working with actors.
Sue Masters - former SBS Head of Scripted, Network Ten Head of Drama and Head of Drama at ABC - gives her advice.
Australians in Film’s Peter Ritchie on working in Hollywood and their call-out for new voices to learn from some of the biggest names in the business.
Director Unjoo Moon on the shift from documentary to drama and collaborating with music icon Helen Reddy to create the biopic I Am Woman.
Writer Vanessa Gazy on creating new Stan Original series Eden, developing TV with Netflix, and how to nail a pitch.
The showrunners of Wakefield on plotting the eight-episode ABC TV series, how music influences their writing, and the challenges and silver linings of a COVID-19 shutdown.
Head of Content Tyler Bern talks through the strategy for Amazon Prime Video Australia, what they want from pitches, and new hires.
The Drover’s Wife The Legend of Molly Johnson writer, director, producer and star Leah Purcell on adapting her acclaimed play for the screen.
Liz Doran talks about the challenges of jumping from writing to producing for SBS series The Tailings and why mentorship works.
Princess Pictures producer Paul Walton on helping online content creators such as Superwog develop their voice and why it’s imperative the industry continues to invest in this space.
Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.
Managing Director of Matchbox Pictures Alastair McKinnon, discusses the opportunities and issues surrounding the production of television within Australia and how Matchbox has succeeded.