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Director Taika Waititi on the moments in Thor: Ragnarok created just for Kiwis and Aussies, and why it was important to have Indigenous attachments on set.
Eleven directors, six screenwriters and ten online creators are being funded by Screen Australia to travel to the USA in June for a series of career growth opportunities.
Breakout directing duo Danny & Michael Philippou discuss their transition from YouTube content creators to their first feature film, Talk To Me.
Nakkiah Lui on finding humour in tragedy and living out her fantasy of being the best Aboriginal figure skater of all time in Kiki and Kitty.
The Katering Show producer Tamasin Simpkin spills the beans on being part of an internet sensation, and how the Ones to Watch program helped with Season 2.
Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.
Having amassed millions of views with their car lipsync videos, SketchShe decided to take their work to the next level. Enter Traffic Jam the Musical.
Australian impact producer Alex Kelly reveals how she’s bringing grassroots climate change movements together with the documentary This Changes Everything.
Four years after the launch of NITV/ABC kids’ series Grace Beside Me, producers Dena Curtis and Lois Randall look back on what made the popular series work.
At the heart of First Contact series 2 is a desire to elevate the national conversation on Australia’s First Peoples, says Blackfella Films’ Jacob Hickey.
Co-creators Sonia Whiteman, Renny Wijeyamohan and Karen Radzyner discuss the multi-platform release strategy for their online project, The Disposables.
Director Maya Newell discusses the seven-year journey making the short documentary, The Dreamlife of Georgie Stone.