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Creator Ryan Griffen walks us through the densely layered world of Cleverman, brimming with creatures, culture and suspense.
Director Thomas Charles Hyland and producer Josie Mason Campbell discuss the multi-format approach to their new project, This Is Going To Be Big.
Screen Australia and the Australian International Documentary Conference (AIDC) have announced the three finalists of the Fresh Cuts Documentary Pitch Initiative who will receive development funding for their projects – Paradise Camp: Homecoming, In/Out, and Fridge Foraging.
The director’s attachment shadowing and assisting Rachel Griffiths on Ride Like a Girl reveals her key takeaways from the experience so far.
Spin Out co-director/writer Tim Ferguson on the next revolution in the screen industry: giving a voice to filmmakers and actors with a disability.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Producer Michael Boughen walks us through the Tomorrow When the War Began book, to film, to TV adaption and what fans can expect.
Toni Collette talks from Sundance Film Festival about producing aspirations, why Gender Matters, Jasper Jones and working on Fun Mom Dinner with Australian director Alethea Jones, who she’s known since Tropfest in 2012.
Academy Award-nominated writer Tony McNamara (The Favourite) on developing The Great from a play to a feature to the TV series, working with US studios, writing process and more.
The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.
History Bites Back co-director, co-writer and presenter Trisha Morton-Thomas on juggling roles and tough topics with humour.
Ivan Sen talks Goldstone's journey, from creating a town from scratch in remote Queensland, to bringing it to the big smoke for Sydney Film Festival.