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Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
The screen production sector is being asked to contribute to the Australian Bureau of Statistics (ABS) survey.
Hear from 16 women in the Games Industry including art directors, developers, animators, programmers and more as they discuss their career journeys and projects.
Hear from writers, directors and producers pushing for change in the Australian screen industry.
Hear from Screen Australia’s Content team about the changing sector, what they’re looking for in funding applications, and their recommendations for what to watch right now.
Authenticity is a journey not a destination. It needs awareness combined with action at every stage from idea to distribution. To facilitate this we need to create certain conditions.
Eight women have been announced for directing mentorships at commercial production companies as part of the Australian Directors’ Guild’s Gender Matters initiative.
Geena Davis has a pretty straightforward answer for how to make more money in film and television – and you’ll be doing the world a service too.
Mad Max: Fury Road editor Margaret Sixel on the practicalities of recreating George Miller’s famous dystopian world.
Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Screen Australia’s Generate Fund is making way for more autonomous, creator-driven storytelling, including an adaptation of an Australian classic by writer/director Nicholas Verso.
Director Taika Waititi on the moments in Thor: Ragnarok created just for Kiwis and Aussies, and why it was important to have Indigenous attachments on set.
Producer Bill Mechanic reveals why films like Hacksaw Ridge are “pretty impossible” to get made and the Australians that made it happen.