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A glimpse of Screen Australia's tracking of overseas sales of films and programs in which it has invested in.
Social impact, feature docs, evolving genres and factual entertainment.
For creators of digital content on platforms such as YouTube, a high level of multitasking is required as a channel or series grows in popularity and views.
A case study on the representation of women in Australian cinematography.
Call Me Dad was commissioned by ABC TV. Well into filming, it went to Good Pitch2. The amount subsequently raised was nearly half the production budget.
Cineflix Rights handles international sales on the Australian drama Secrets & Lies, which was made by Hoodlum for Network Ten. Chris Bonney discusses the show and the sales scene generally.
Sixteen relatively recent Australian TV shows have earned more than $1 million each in gross revenue, and nearly $43 million as a group.
Film producers are always knocking on Screen Australia’s door because there’s money behind it.
The Kettering Incident led the pack, but Miss Fisher’s Murder Mysteries was snapping at its heels.
Many want the Producer Offset pushed up to 40% for all television that’s currently eligible. Who wouldn’t want government money if it’s on offer … ?
The Dendy/Icon Group team behind Last Cab to Darwin's success discuss the journey behind the release.
Comparing film school and employment data.