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Hear from Australian TV screenwriters at the top of their game including Sarah Lambert, Stephen McGregor, Mithila Gupta, Elise McCredie and more.
Director Catriona McKenzie draws on everything from Kiki and Kitty to How to Get Away With Murder to talk expectations, jumping genres and being adaptable.
From breaking down a script to rehearsals, what to expect from the pre-production process for a director of episodic TV.
The director of The Cry, Safe Harbour, Puberty Blues and upcoming Penguin Bloom reflects on moving into television from ads and other career takeaways.
The Stateless actor reflects on pivotal career steps and the lessons they taught him.
The production designer on A Place to Call Home, Frayed and upcoming Back to the Rafters breaks down some key things to know about the art department.
The founder of McGregor Casting, whose credits include Lion, Top Of The Lake and Mr Inbetween gives insights into the casting process.
The lessons learned journeying from a sole trader to partner in a company that produces 130 hours of TV and feature documentaries every year.
Producer Alex White shares her experience producing short films and progressing to her feature film debut, Babyteeth.
The star of Ali’s Wedding, Osamah Sami, and producer Sheila Jayadev talk about how this true story is connecting with Australians in a way that transcends religion or skin colour.
Seven Types of Ambiguity producer Amanda Higgs talks about switching between suspenseful adaptations to children’s sports series and why The Secret Life of Us had such impact.
Justin Monjo has written for the likes of Rush, Paper Giants: Magazine Wars and INXS: Never Tear Us Apart.